Photo by Kwaku Alston
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Natalie Cole's New Life
By Meg Grant, November & December 2009
As her sister lay dying, Natalie Cole faced her own health crisis—a dramatic race against the clock for an organ transplant. Now, for the first time, she shares her unforgettable tale of grief, faith, renewal, and an angel's gift of love
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By the time Natalie Cole got to the hospital late one afternoon in mid-May, her sister Cookie, who two weeks earlier had been diagnosed with lung cancer, had slipped into a coma. Natalie sat on the edge of Cookie's bed, rubbed her feet, and quietly urged her to fight. "I love you," she said. "Everything is going to be all right."
She fought back tears as she whispered in Cookie's ear, and the hospital monitors beeped steadily in reply.
Just hours earlier, Natalie herself had been hooked up to IVs, with a machine pulling the toxins from her blood that her failed kidneys could not. She was on a long waiting list for a donor kidney, but until a match was found, regular dialysis treatments were keeping her alive. When she received a call that spring day at her Beverly Hills treatment center about her sister's deteriorating condition, Natalie—a multiple-Grammy-winning singer and daughter of Nat King Cole—began yanking out the dialysis tubes. She rushed to her car and sped to Providence Tarzana Medical Center, in southern California's San Fernando Valley. But by the time she got to her sister—who was also her lifelong best friend—Cookie was unresponsive. "I was just devastated," Natalie says.

Natalie and other family members, including her only child, Robert Yancy, waited in Cookie's hospital room well into the evening. Natalie's cell phone, tucked away in her purse, rang again and again, but she ignored it. Finally, Yancy, a 32-year-old drummer, took a call on his cell. It was the transplant center at Los Angeles's Cedars-Sinai Medical Center. He handed the phone to his mother.
"Ms. Cole," the woman said, "we think we've found a kidney for you."
"I can't talk to you right now," Natalie responded. "I've got a situation here. My sister's dying. I can't talk." She hung up, turned back to Cookie, and continued her vigil until midnight, when a nurse urged her to go home and rest.
Natalie Cole, 59, didn't think about that call during her drive home to Westwood. She didn't think about her own incurable hepatitis C, diagnosed the year before. She didn't think about the nausea and mind-bending fatigue the initial dialysis treatments had caused, nor the inconvenience of sandwiching singing gigs in between sessions hooked up to a machine. She didn't think about how many of her loved ones—Cookie among them—had offered to donate a kidney but proved not to be a match, nor did she think about the long odds of a healthy cadaver kidney becoming available.
On that lonely drive through the dark and starless San Fernando Valley, Natalie Cole didn't think about saving herself. Instead, she prayed for her sister. "God, you can make a miracle. You can bring her back. I know you can."
“God, you can make a miracle," Natalie prayed. "You can bring my sister back.”
Cookie, whose real name is Carole, was actually Natalie's cousin, the daughter of her mother's sister. But when Cookie was orphaned at the age of four, Nat King Cole, the iconic jazz pianist and baritone, and his wife, Maria, adopted her. Natalie, or Sweetie, as her loved ones call her, was born about nine months later, in 1950, followed by brother Kelly, adopted in 1959, and twin sisters Casey and Timolin, who arrived in 1961.
Of all Nat King Cole's children, Natalie was, arguably, the one blessed most generously with his gift of music. Her voice was like honey, silky and smooth, and like her father, she made everyone in the audience feel she was singing just to them. As a kid, she performed a few times with her dad, and to this day she wonders whether he foresaw her success: hit singles (such as 1977's "I've Got Love on My Mind"), gold and platinum albums (her first was Inseparable, in 1975), accolades, and awards. Natalie credits her dad, who she says inspired by example rather than words, for much of it.
In 1991, when she performed a series of outdoor concerts that included her "Unforgettable" duet with her long-deceased father (thanks to innovative film and audio splicing ), she swears that a butterfly would routinely fly across the stage. Natalie believes the butterflies, which she loves, were sent by her dad, one of the many angels in her life whom she references in her 2000 autobiography, Angel on My Shoulder.

Natalie—and the world—lost her father when she was only 15; a heavy smoker, he died of lung cancer in 1965 at the age of 45. For years she struggled with the loss, as well as a difficult relationship with a mother she viewed as emotionally distant. After finishing college, while playing local clubs, she accepted a boyfriend's invitation to try heroin—and by the age of 23 was mainlining. In 1976, just before winning her first Grammy for Best Female R&B Performance for "This Will Be," she quit her heroin habit cold turkey, and she went on to marry gospel musician Marvin Yancy and give birth to Robbie. But in 1984, after divorcing Yancy (a Baptist minister who died suddenly of a stroke the following year), she spent several months in Hazelden rehab center to treat an all-consuming addiction to crack cocaine. Natalie attributes her hard-won sobriety to her religious faith (though raised Episcopalian, she became a Baptist in her mid-20s). But it took more than that to restore all she had lost. The music industry showed little enthusiasm for her comeback efforts, and she went from being a headliner to playing lounge acts in places such as Las Vegas. In 1989 Natalie got married a second time, to record producer André Fischer, but they split in 1997; their divorce papers indicated he was abusive. Her brother, Kelly, who came out of the closet at age 19, died of HIV-related causes in 1995. And in 2000 Natalie wed once again, this time to Kenneth Dupree, a Baptist bishop from Nashville. Natalie ended the marriage less than three years later because, she says, "I had problems with the way this man was conducting his life."
For the next few years Natalie concentrated on her music, making plans for a follow-up to her multiplatinum album of her father's standards. Early in 2008 she recorded Still Unforgettable. She was happily single, spending time with friends and family. Her life was finally back on track—or so it seemed.
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